Aug 22, 2017
Aug 9, 2017
From 1973, my solo debut on Atlantic Records!
Aug 6, 2017
It was 52 years ago TODAY that The Beatles released "Help." Here's a live version of my take on it from my "14 Steps To Harlem" — in the ballad style that John Lennon said he thought it might've been.
Recorded at Daryl's House Club with Tom Curiano Charles Roth Brian Stanley Nick Biello and Justin Jordan.
Jul 27, 2017
Jul 24, 2017
When it comes to local promotion, no one can touch Bill Tureby of Indian Lake, NY.
Last year we played Indian Lake Theater and we're going back again. This time the entire band will stay over for Bill and family's annual Badminton Tournament, a longstanding tradition complete with a regulation court.
If you're in the Adirondacks, you don't want to miss it!
Tickets available here!
Jul 7, 2017
Photo: Jerrold Mallee
FRANCE Paris New Morning
NETHERLANDS Den Haag Night At The Park Festival
ITALY Vicenza Retro
Jun 4, 2017
Hugh’s Room Live was the scene, and the man delivered. Boy, did he ever.
TEXT & PHOTOS BY ERIC THOM
I’ve never met the Pope. But I’ve met Garland Jeffreys and I’m expecting the experience to be similar. Aside from the man’s 47+ years of show business credentials and endless library of exceptional songs, he appears to stand for everything that matters in this world, embracing an absolute love of his fellow man with a buoyant, upbeat positivity that would make Julie Andrews blush – everything you’d expect of a proper pontiff. Completely approachable and extremely fan-friendly, the extra time he invested into the end of his evening turned out to be as lengthy as the 16-song set he and his Coney Island Playboys had just laid out for a full, adoring house of forever fans. Long after most artists would’ve been justifiably hotel-bound, Garland Jeffreys sincerely cares to go that extra mile.
Read more here
May 5, 2017
Apr 25, 2017
Filmed in New York City, 3 songs from the new record. Thanks Paste!
Apr 21, 2017
One week and counting! My new album 14 Steps To Harlem will be released worldwide on April 28 and will be available on CD, vinyl and MP3.
A BRUSH WITH GREATNESS
I met Lou Reed in the cafeteria of Syracuse University in 1961. Lou was a sophomore. I was a freshman. No one introduced us; we were just in line for some lunch and kind of sniffed each other out as cool guys from the city. He was from Long Island and I was from Brooklyn and he was probably already way cooler than me, but nonetheless we started hanging out once we discovered that we both loved doo-wop. I was a Frankie Lymon and the Teenagers freak and he loved the Velours, the Moonglows, the Jesters and the Paragons. We only liked the groups that we considered to be the real thing.
There was some kind of standard. I don’t think either of us was thinking seriously about becoming songwriters or performers at the time, but we definitely both cared about pop music in the way that people do who know that music can save your life.
One day, not long after, he said, “Meet me at the bar,” and that meant the Orange Bar. I fell by and was surprised to find him sitting in a booth with an older guy, a kind of rumpled guy with dark hair. I didn’t get their relationship at first and was a bit suspicious since he was clearly not a student, but we started meeting there every day at 4pm and this guy was always there.
No one introduced us; we were just in line for some lunch and kind of sniffed each other out as cool guys from the city
Turned out he was Delmore Schwartz, Lou’s English professor, and he was drinking there with Lou every day. I just came around and listened to them talk, not always getting the literary references, but happy to be a part of it. I learned about sophisticated drinks like Dubonnet on the rocks with a twist of lemon.
Read more here.
Apr 19, 2017
Pre-order on Amazon, iTunes and GooglePlay.
Apr 7, 2017
On behalf of the Harlem International Film Festival, I would like to applaud and congratulate you and your entire team for your exceptional work and convey the acceptance of 14 Steps To Harlem to the 12th Annual Harlem International Film Festival! The Festival takes place May 4-7, 2017 in Harlem, New York City.
Apr 3, 2017
Thanks to Peter Clark for the photo and thanks to the band and the fans for a very special show.
Mar 22, 2017
Mar 21, 2017
AUSTIN -- For many artists, South By Southwest serves to launch or revitalize careers. For Garland Jeffreys, the festival is just another waypoint on his lifelong mission to make the world a better place.
With a timeless sounding new album 14 Steps To Harlem, due April 28, Jeffreys played a series of shows here and took time for a chat Thursday night before performing at The Driskill hotel ballroom. Talking with the 73-year-old singer-songwriter is akin to an episode of VH1 Storytellers.
It's the Brooklyn native's first visit to the festival in three years. In 2014, he participated in a tribute to his longtime pal Lou Reed, who died in 2013, and frequently joined another buddy, Texas musician Alejandro Escovedo, on stage here in years past.
A year ago, his wife Claire -- who is overseeing a documentary about Jeffreys' life; more info on PledgeMusic.com -- asked him if he wanted to quit performing. "I said 'No.' I have a message. I feel I'm an expert in telling it."
That message is one of inclusivity, says Jeffreys, born the son of mixed race parents. When it comes to songwriting, Jeffreys often mines his "dream that there would be less racism and more collaborative living and understanding and caring," he said. "There are a lot of people out there who unfortunately are not ready for that, seemingly."
Colored Boy Said, a song on the new album, mentions "I got a president who looks like me" and references the choking death of Eric Garner and the shooting of nine black churchgoers in Charleston (S.C.). read more
Feb 28, 2017
From BILLBOARD by Gary Graff
Garland Jeffreys brings it home in the title track of his new album, 14 Steps To Harlem, the video for which is premiered exclusively below.
"The big story in the album is '14 Steps To Harlem,' and what my father gave me," the veteran New York singer tells Billboard. "This is kind of a dedication to him, to both my folks, this album. But my father, he gave me a life. He provided the money for me to go to Syracuse [University]. He gave my brother and I what he didn't have. He was a very dutiful guy. I'm sitting here in a nice apartment with my wife, and my daughter when she's home, and I'm very grateful for what I have, and I know that's because of what my father gave me."
As Jeffreys talk-sings verses about his father and mother's journeys to work -- his at a small factory in Harlem, hers to the Domino sugar plant -- between doo-wop style choruses, the video streams appropriate black & white period photos, including plenty of street scenes and venues such as the Apollo Theatre and the Rhythm Club. The combination presents a vivid image of Jeffreys' experience as a youth, with a solemn and reverent but also joyful tone.
"My father would take the train from Sheepshead Bay to Harlem, and when he got to Harlem he'd have to walk to the place where he was working," Jeffreys remembers. "At one point I would go with him and I'd work part-time, maybe in the summer months back then. I don't know how he did it, 'cause I didn't really like that job, but he did, 'cause that's all he had. He worked wherever he could get a job, but it had to have a certain respectability to it. He had a lot of pride, and he was proud to have his kids rise up to the point that he did."
Jeffreys' parents also got to bask in a bit of his success. "They moved to Vegas at one point," he says. "And I gave my mother and father my gold single for 1973's 'Wild In the Streets,' and that was fantastic. They knew that was valuable, right in front of them, and that their investment in me had paid off."
14 Steps to Harlem includes other nods to Jeffreys past, including originals such as "When You Call My Name," "Schoolyard Blues," "Reggae On Broadway" and "Spanish Heart." He also covers the Beatles' "Help" as an homage to John Lennon, who Jeffreys met while recording at the Record Plant, and the Velvet Underground's "Waiting For the Man" in tribute to his fellow Syracuse Orangeman Lou Reed, who he met during their shared days in college.
"We became friends at Syracuse, and I watched him and felt like, 'If Lou can get up there and sing, then I certainly can!'" Jeffreys recalls. "Lou has always been a friend to me. He always respected me and treated me with love, to the very end. I would say that's probably very rare; I know he had certainly other kinds of engagements with other people that weren't like that, but my experience with him was always positive."
Jeffreys releases the James Maddock-produced 14 Steps to Harlem -- which features guest appearances by his daughter Savannah and by Reed's widow Laurie Anderson -- on April 28, and will be at this year's South By Southwest during March to build up some advance buzz. A tour starts March 18 in Scotch Plains, N.J. with North American and European dates, and as many more as the 73-year-old artist can muster.
"I've got a job to do," Jeffreys says. "I can't emphasize how grateful I am, because in my late years now, you might say, I'm fortunate to have my health. I'm at the gym, I take care of myself, I don't feel like I have any influences. So I'd like to stick around and make new recordings as much as I can and get out on the road. Just shows, shows, shows -- that's the theme right now. That's what I'm here to do."